
Hyacinths
Thomas Warner, after Robert John Thornton, 1801
$123
Print check at 11 x 14 in: 157 dpi, good. Trimmed 1.8% to the shape of the print.
Shipping to a US address: $24.80 for this piece, from the print room in Charlotte, North Carolina.
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This 1801 plate comes from The Temple of Flora, physician Robert John Thornton's extravagant, near-ruinous publishing project to pair botanically accurate flowers with full Romantic landscape backdrops — moonlit ruins, distant mountains, storm-lit skies — rather than the bare white ground botanical illustration usually preferred. Engraver Thomas Warner worked from Thornton's specification, setting a cluster of hyacinths, pink and white and blue, against an atmospheric garden dusk. What to notice: the flowers themselves are drawn with real botanical fidelity — Thornton insisted on scientific accuracy even as he asked his engravers to stage them like theater. The result is a hybrid unlike almost anything else in the botanical canon: part specimen record, part stage set, entirely of a moment when science and Romanticism briefly shared a single easel.
- Maker
- Thomas Warner, after Robert John Thornton
- Date
- 1801
- Medium of the original
- Plate
- Original held by
- The Metropolitan Museum of Art
- Credit
- The Metropolitan Museum of Art
- Rights
- Public domain, verified
- Catalogue number
- PA-00245
| Picture | 11 x 14 in |
|---|---|
| Outside size | 12.6 x 15.6 in |
| Depth | 0.9 in (22 mm) |
| Weight | [[REAL PROOF NEEDED: shipped weight per size and frame]] |
| Hanging | [[REAL PROOF NEEDED: hanging hardware Prodigi fits to this frame]] |
| Material | Enhanced matte art paper, 200 gsm; acrylic glazing |
| Made in | Charlotte, North Carolina, by Prodigi |
Before a size goes on sale, the file is measured against it: pixels per inch at that size, how much of the picture a crop would lose, tone and sharpness. A size that fails is not offered, so there is nothing to choose wrong.
| Size | dpi | Grade | How it fits |
|---|---|---|---|
| 8 x 10 in | 220 | Excellent | Edge to edge |
| 11 x 14 in | 157 | Good | Trimmed 1.8% |
| Size | Why |
|---|---|
| 8 x 12 in | Wrong shape: a 17% crop |
| 12 x 16 in | 137 dpi; a historical scan is never enlarged |
| 12 x 18 in | Wrong shape: a 17% crop |
| 16 x 20 in | 110 dpi; a historical scan is never enlarged |
| 16 x 24 in | Wrong shape: a 17% crop |
| 18 x 24 in | 91 dpi; a historical scan is never enlarged |
| 20 x 30 in | Wrong shape: a 17% crop |
| 24 x 30 in | 73 dpi; a historical scan is never enlarged |
| 24 x 36 in | Wrong shape: a 17% crop |
| 30 x 40 in | 55 dpi; a historical scan is never enlarged |
| 36 x 48 in | 45 dpi; a historical scan is never enlarged |
| 40 x 60 in | Wrong shape: a 17% crop |
- Scanned
- 2026-10-07
- Master file
- 1,760 x 2,200 px, srgb, sRGB.icc
- Tone
- Darks 83, lights 240 of 255; 0% clipped light, 0% clipped dark
- Colour
- 0% vivid
- Sharpness
- 27.22
Shipping for this piece to a US address is $24.80, the print room’s own rate, charged per piece. Checkout shows the total before you pay.
Every piece is printed after you order it, in Charlotte, North Carolina, and ships from there. For now we ship to US addresses only.
A piece that arrives damaged, misprinted or in the wrong size is replaced at our cost. The details: shipping and returns and replacements.
Cabinet of Curiosities
The old world’s book of wonders, for your wall.
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