Christ Carrying the Cross, called "The Lord of the Fall"

Cusco School (anonymous), c. 1770–75

Angels of the AndesPA-00166Tear sheet

$270

Type
Frame

Satin-laminated wood, 20 mm face, 22 mm deep, acrylic glazing.

Frame colour: Black

Every colour is the same price.

PrintingStandard Enhanced matte art paper, 200 gsm

Print check at 18 x 24 in: 166 dpi, good. Trimmed 0.4% to the shape of the print.

Shipping to a US address: $25.90 for this piece, from the print room in Charlotte, North Carolina.

Subtotal$270

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This is a "Fall" scene — one of the Stations of the Cross, showing Christ physically buckling under the weight of the crossbeam on the road to Calvary — painted with the full brocateado gold treatment usually reserved for Marian icons. Applying that luxurious, light-catching technique to a scene of suffering and collapse is a deliberate, striking choice: gold as reverence, even at the moment of greatest human vulnerability. Devotional titles like "the Lord of the Fall" name a specific miracle-working statue or painting that had its own following, its own feast day, its own reputation — this canvas both reproduces that specific image and imports its devotional authority into a new household or chapel. Look at the gold tooling on Christ's robe against the raw exhaustion in the pose — the painting is holding both at once, and refuses to resolve the tension.

Maker
Cusco School (anonymous)
Date
c. 1770–75
Medium of the original
Oil and gold on canvas
Original held by
The Metropolitan Museum of Art, New York — The American Wing
Credit
The Metropolitan Museum of Art, New York — The American Wing
Rights
Public domain, verified
Catalogue number
PA-00166
As chosen: 18 x 24 in, art print, classic frame
Picture18 x 24 in
Outside size19.6 x 25.6 in
Depth0.9 in (22 mm)
Weight[[REAL PROOF NEEDED: shipped weight per size and frame]]
Hanging[[REAL PROOF NEEDED: hanging hardware Prodigi fits to this frame]]
MaterialEnhanced matte art paper, 200 gsm; acrylic glazing
Made inCharlotte, North Carolina, by Prodigi

Before a size goes on sale, the file is measured against it: pixels per inch at that size, how much of the picture a crop would lose, tone and sharpness. A size that fails is not offered, so there is nothing to choose wrong.

How the print check works

Sizes offered
SizedpiGradeHow it fits
8 x 10 in376ExcellentTrimmed 5.8%
11 x 14 in273ExcellentTrimmed 4.1%
12 x 16 in250ExcellentTrimmed 0.4%
16 x 20 in188GoodTrimmed 5.8%
18 x 24 in166GoodTrimmed 0.4%
Sizes withheld
SizeWhy
8 x 12 inWrong shape: a 11% crop
12 x 18 inWrong shape: a 11% crop
16 x 24 inWrong shape: a 11% crop
20 x 30 inWrong shape: a 11% crop
24 x 30 in125 dpi; a historical scan is never enlarged
24 x 36 inWrong shape: a 11% crop
30 x 40 in100 dpi; a historical scan is never enlarged
36 x 48 in83 dpi; a historical scan is never enlarged
40 x 60 inWrong shape: a 11% crop
Scanned
2026-10-07
Master file
3,013 x 4,000 px, srgb, sRGB.icc
Tone
Darks 0, lights 139 of 255; 0% clipped light, 9.2% clipped dark
Colour
0% vivid
Sharpness
25.36
Notes
  • Shadows clip on 9% of the image: the darkest areas print as solid black
  • Neutrals lean warm (yellow): the paper and varnish of the original, kept as scanned

Shipping for this piece to a US address is $25.90, the print room’s own rate, charged per piece. Checkout shows the total before you pay.

Every piece is printed after you order it, in Charlotte, North Carolina, and ships from there. For now we ship to US addresses only.

A piece that arrives damaged, misprinted or in the wrong size is replaced at our cost. The details: shipping and returns and replacements.

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Angels of the Andes

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