
Frederick Barne (Vanity Fair)
Leslie Ward ('Spy'), chromolithograph, Vanity Fair, 1882
No print size passed the check for this piece: at 8 x 10 in, Wrong shape: a 26% crop. We would rather show it than sell a soft print.
See pieces like it you can buyFrederick Barne, drawn by Spy in the day dress of a regular at the rail rather than a rider on the card. Not every subject in Vanity Fair's turf series held the reins; Barne's plate records the kind of familiar figure whose presence at the enclosure was itself worth a caricaturist's attention. the practiced ease of the pose, a man drawn at home in the crowd he stands among. A course needs its regulars as much as its winners.
- Maker
- Leslie Ward ('Spy'), chromolithograph, Vanity Fair
- Date
- 1882
- Medium of the original
- Chromolithograph
- Original held by
- Vanity Fair caricature
- Credit
- Vanity Fair caricature
- Rights
- Cleared for print
- Catalogue number
- PA-00131
Before a size goes on sale, the file is measured against it: pixels per inch at that size, how much of the picture a crop would lose, tone and sharpness. A size that fails is not offered, so there is nothing to choose wrong.
| Size | Why |
|---|---|
| 8 x 10 in | Wrong shape: a 26% crop |
| 8 x 12 in | Wrong shape: a 12% crop |
| 11 x 14 in | Wrong shape: a 25% crop |
| 12 x 16 in | Wrong shape: a 22% crop |
| 12 x 18 in | Wrong shape: a 12% crop |
| 16 x 20 in | Wrong shape: a 26% crop |
| 16 x 24 in | Wrong shape: a 12% crop |
| 18 x 24 in | Wrong shape: a 22% crop |
| 20 x 30 in | Wrong shape: a 12% crop |
| 24 x 30 in | Wrong shape: a 26% crop |
| 24 x 36 in | Wrong shape: a 12% crop |
| 30 x 40 in | Wrong shape: a 22% crop |
| 36 x 48 in | Wrong shape: a 22% crop |
| 40 x 60 in | Wrong shape: a 12% crop |
- Scanned
- 2026-10-07
- Master file
- 340 x 578 px, srgb
- Tone
- Darks 66, lights 214 of 255; 0% clipped light, 0% clipped dark
- Colour
- 0% vivid
- Sharpness
- 8.41
- Notes
- Neutrals lean warm (yellow): the paper and varnish of the original, kept as scanned
The Paddock
Whistlejacket: the horse as the entire subject.
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