
Lester Reiff, 'Lester' (Vanity Fair)
Leslie Ward ('Spy'), chromolithograph, Vanity Fair, 1900
No print size passed the check for this piece: at 8 x 10 in, Wrong shape: a 26% crop. We would rather show it than sell a soft print.
See pieces like it you can buyLester Reiff, drawn full-length in silks, one of the American jockeys whose seat unsettled the English weighing room at the turn of the century. The Reiff brothers arrived already schooled in the crouched, high-stirrup style American riders had worked out before it reached England, and Lester was the elder name that opened the door his younger brother walked through after him. the crouch itself, higher in the iron and lower over the withers than the upright English seat Spy had been drawing for decades before Reiff crossed the Atlantic. A seat can cross an ocean faster than a reputation.
- Maker
- Leslie Ward ('Spy'), chromolithograph, Vanity Fair
- Date
- 1900
- Medium of the original
- Chromolithograph
- Original held by
- Yale Center for British Art
- Credit
- Yale Center for British Art
- Rights
- Cleared for print
- Catalogue number
- PA-00122
Before a size goes on sale, the file is measured against it: pixels per inch at that size, how much of the picture a crop would lose, tone and sharpness. A size that fails is not offered, so there is nothing to choose wrong.
| Size | Why |
|---|---|
| 8 x 10 in | Wrong shape: a 26% crop |
| 8 x 12 in | Wrong shape: a 11% crop |
| 11 x 14 in | Wrong shape: a 24% crop |
| 12 x 16 in | Wrong shape: a 21% crop |
| 12 x 18 in | Wrong shape: a 11% crop |
| 16 x 20 in | Wrong shape: a 26% crop |
| 16 x 24 in | Wrong shape: a 11% crop |
| 18 x 24 in | Wrong shape: a 21% crop |
| 20 x 30 in | Wrong shape: a 11% crop |
| 24 x 30 in | Wrong shape: a 26% crop |
| 24 x 36 in | Wrong shape: a 11% crop |
| 30 x 40 in | Wrong shape: a 21% crop |
| 36 x 48 in | Wrong shape: a 21% crop |
| 40 x 60 in | Wrong shape: a 11% crop |
- Scanned
- 2026-10-07
- Master file
- 3,417 x 5,760 px, srgb, sRGB
- Tone
- Darks 129, lights 225 of 255; 0% clipped light, 0% clipped dark
- Colour
- 0% vivid
- Sharpness
- 26.4
- Notes
- Neutrals lean warm (yellow): the paper and varnish of the original, kept as scanned
The Paddock
Whistlejacket: the horse as the entire subject.
All 92 pieces from The Paddock






