Lester Reiff, 'Lester' (Vanity Fair)

Leslie Ward ('Spy'), chromolithograph, Vanity Fair, 1900

The PaddockPA-00122Tear sheet

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No print size passed the check for this piece: at 8 x 10 in, Wrong shape: a 26% crop. We would rather show it than sell a soft print.

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Lester Reiff, drawn full-length in silks, one of the American jockeys whose seat unsettled the English weighing room at the turn of the century. The Reiff brothers arrived already schooled in the crouched, high-stirrup style American riders had worked out before it reached England, and Lester was the elder name that opened the door his younger brother walked through after him. the crouch itself, higher in the iron and lower over the withers than the upright English seat Spy had been drawing for decades before Reiff crossed the Atlantic. A seat can cross an ocean faster than a reputation.

Maker
Leslie Ward ('Spy'), chromolithograph, Vanity Fair
Date
1900
Medium of the original
Chromolithograph
Original held by
Yale Center for British Art
Credit
Yale Center for British Art
Rights
Cleared for print
Catalogue number
PA-00122

Before a size goes on sale, the file is measured against it: pixels per inch at that size, how much of the picture a crop would lose, tone and sharpness. A size that fails is not offered, so there is nothing to choose wrong.

How the print check works

Sizes withheld
SizeWhy
8 x 10 inWrong shape: a 26% crop
8 x 12 inWrong shape: a 11% crop
11 x 14 inWrong shape: a 24% crop
12 x 16 inWrong shape: a 21% crop
12 x 18 inWrong shape: a 11% crop
16 x 20 inWrong shape: a 26% crop
16 x 24 inWrong shape: a 11% crop
18 x 24 inWrong shape: a 21% crop
20 x 30 inWrong shape: a 11% crop
24 x 30 inWrong shape: a 26% crop
24 x 36 inWrong shape: a 11% crop
30 x 40 inWrong shape: a 21% crop
36 x 48 inWrong shape: a 21% crop
40 x 60 inWrong shape: a 11% crop
Scanned
2026-10-07
Master file
3,417 x 5,760 px, srgb, sRGB
Tone
Darks 129, lights 225 of 255; 0% clipped light, 0% clipped dark
Colour
0% vivid
Sharpness
26.4
Notes
  • Neutrals lean warm (yellow): the paper and varnish of the original, kept as scanned

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The Paddock

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